Arts and Creative

Aesthetics of ungovernability: An interview with Shani Strand

Aesthetics of ungovernability: An interview with Shani Strand

“The world is a giant graveyard that we reproduce life from."
Daisy Chain Fields: Olivia Rodrigo’s Feminist Flower Crown Festival

Daisy Chain Fields: Olivia Rodrigo’s Feminist Flower Crown Festival

“Daisies are wild and beautiful. As a chain, they are strong and unbreakable.”
Tracing East LA: An interview with Raven Sanchez

Tracing East LA: An interview with Raven Sanchez

“The archive can be something that we take ownership of … it doesn't have to belong to an institution.”
‘The Subjection of Women’: The denouncement of bioessentialism and its relevance today

‘The Subjection of Women’: The denouncement of bioessentialism and its relevance today

How can an essay from the 18th century inform online discourse regarding women today? “The Subjection of Woman,” by Harriet…
‘I want to be the catalyst that I didn’t have’: Interview with musician Honeychild Coleman

‘I want to be the catalyst that I didn’t have’: Interview with musician Honeychild Coleman

Honeychild Coleman describes herself as a “punk, indie and electronic musical artist” based in Brooklyn, New York, who likes to…
Irrevocable observance

Irrevocable observance

Nothing seems quite as permanent as everything happening all at once.
An interview with Elmiene — FEM Radio

An interview with Elmiene — FEM Radio

Not everyone believes in manifesting, but I had been humming “Mad at Fire” for about three days when I got…
College girlhood in Los Angeles

College girlhood in Los Angeles

As a young woman, living in Los Angeles these past few years has gifted me a heart full of gratitude…
Through the looking glass: Meta Glasses, surveillance and the non-reciprocal gaze

Through the looking glass: Meta Glasses, surveillance and the non-reciprocal gaze

Meta’s new camera technology establishes the body to not be only a subject of photography, but an instrument of surveillance…
Karine Matsakyan’s ‘Half-Hourly Difference’: What does discipline look like?

Karine Matsakyan’s ‘Half-Hourly Difference’: What does discipline look like?

As I play the role of the viewer of Karine Matsakyan's "Half-Hourly Difference” (1985–1986), I search for any differences between…
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